SHOOTING VIDEO ON A DSLR
Course Duration: 1 or 2 days (2nd day optional)
Modern DSLR cameras put high visual quality video in reach of anyone. With interchangeable lenses, high end image sensors and a full set on manual controls, they are an excellent choice to produce quality professional video. This course is designed to teach the basics of shooting video to anyone with a requirement to produce professional content on a DSLR.
The first day is designed to get you shooting simple but effective sequences that will allow you to tell stories through video. Covering, how to use the manual controls on a DSLR, what shots you need to make good edits and how to shoot an interview. Framing types and conventions. Thinking about lighting and sound. Locations, interviews, action: If you can shoot these things well, you can tell stories through video.
This course is designed for photographers or any one else with a DSLR camera moving into the production of professional video.
An optional second day of the course looks at editing content, using Adobe Premiere Pro, Final Cut Pro or Divinci Resolve, and aims to teach the basic principles of short form and News editing.
WHO SHOULD ATTEND?
This course is designed for photographers or any one else with a DSLR camera moving into the production of professional video.
PREREQUISITES
This course is designed for photographers or any one else with a DSLR camera moving into the production of professional video. As part of the course also provide advice on additional camera kit.
COURSE OUTLINE
Pre Production
Pre-production thinking & the paperwork that you produce from it
Outline, treatment
Shooting script
Storyboard
Camera & lighting plan
Production schedule

Production checklist
Research:
Recce
Production:
Importance of technical quality:
Good sound
Good lighting
White balance
Using a tripod
Good Shots
Well framed
Balanced composition relevant / neutral background
Shoot optimum amount storyboard
Logging Shots
Appropriate Illustrative Material
B Roll, GV’s / Cutaways
Establishing shot
Get as many cutaways as possible
Relevant cut-aways
Think in sequences of shots
Close Ups
Continuity
Camera Shots:
Long Shot, Wide Shot
Mid Shot, Medium Close Up, Close Up, Extreme Close Up
Camera Moves
• Pans, Tilts, Zooms, Tracking Shot, Dolly Shot , Sweep 

Framing Shots
The Rule of Thirds & Balance Compostition
Crossing The Line
Focus
Soft, SharpDepth of Field, Pull
How to Use the Manual Focus
Adjust focus ring
Camera Controls
Iris, Shutter
, ISO
, Lens angle (zoom), Camera filte
Neutral Density (ND)
White Balance
Setting up for an interview
Basic Lighting Set-up
Shooting outdoors
Shooting Indoors
3 Point Lighting set up
Sound
Handheld mic, Omnidirectional, Bidirectional, Unidirectional
Boom Mic
Radio Clip Mic
Built in camera mic
Traps to avoid
Production
Skill of the Interviewer
Closed & Open questions
Making the interviewee feel at easy
Repeating questions
Logging the shots
Practice Shooting Vox Pops / Interview / B Roll
Day 2:
Editing / Post Production
Ingest Footage & Edit 2 min news package
Based on Interview / Vox Pops content
Learn basics of Premiere Pro interface & Editing Process
Digitising Footage
Overview of Premiere Pro Interface
Organising Clips in Project Window
Skimming & Playing Clips
Marking Clips in the Source Monitor
Basic keyboard short cuts
Creating a rough Cut
Editing to the Timeline
Insert & Overwrite Edits
Playing and Viewing a sequence: The Programme monitor
Viewing audio wave form
Refining a rough Cut
Reordering a sequence
Trimming clips using The Ripple Tool
The razor Blade Tool / splicing clips
Creating breathing Space
Normalising audio levels for Dialogue
Adding Additional Audio & Mixing/ adjusting audio levels
Adding Cut away Shots
Trimming Cut Away Shots
Creating Split Edits
Fading Audio
Fading Video
Adding basic video & audio transitions
Adding captions & Titles
Exporting a movie